Teardown — The Happiest Animal on Earth Is Not Smiling: 12 cuts, film + clips + every prompt
12 cuts across 2 motion tiers, 83% on tier 2. A short-form episode, published, with every generated clip (12), every source still (12), and the exact still and motion prompt behind each cut.
One published episode opened up: the finished film, 12 generated clips, 12 source stills, and the prompt behind each of its 12 cuts.
What is in it
- film/ — the finished episode — the published cut, exactly as it went out
- clips/ — 12 generated clips — every shot before the edit, including the plain ones
- stills/ — 12 source frames — the image each clip was animated from
- PROMPTS.md — one block per cut across all 12: framing, tier, still prompt, motion prompt
- production.json — the same record machine-readable, one object per cut
Claims, and how to check them
- every one of the 12 cuts has its prompt included
check: count the blocks in PROMPTS.md, or the objects in production.json - the archive holds 12 clips and 12 stills
check: list the zip; these counts were read from it - the episode is published and watchable before you buy
check: the listing links the public cut
What it does not do
- narration and on-screen text are Korean; the prompts and all documentation are English
- clips are re-encoded for download, not master bitrate
- no guarantee of a result — model behaviour changes between versions
- not a template: this is one episode, not a reusable standard
You need already
- nothing to read it — markdown, JSON, MP4 and JPEG
- an i2v generator and your own credits, to re-run anything
clips: 12cuts: 12format: shortsnarration: Koreanstills: 12tier_split: dynamic:10 / static:2
Every AI video tutorial shows you the prompt that worked. This shows you all 12, including the dull ones.
One published wildlife documentary — a short-form episode — opened up. The finished film, all 12 generated clips, the 12 stills they were animated from, and for each of the 12 cuts the exact still prompt and motion prompt that produced it, beside the engine tier it was ordered on.
Watch the published cut before you buy: https://youtu.be/MZfM0C6vqW0
WHY THIS GENRE IS WORTH TAKING APART
Animals are where identity drift shows first. A prompt that names the species loosely gives you a hyena in cut nine.
Every still prompt here carries a species lock written as a positive count — ear shape, coat pattern, toe count — never as a list of things the animal must not be.
WHAT IS IN THE PACKAGE
• The finished film, as published
• 12 generated clips — the raw shots before the edit
• 12 source stills — the frames each clip was animated from
• PROMPTS.md — one block per cut: framing, tier, still prompt, motion prompt
• production.json — the same record, machine-readable
THE ROUTING, IN THIS EPISODE
Cut split: 2 on tier 1, 10 on tier 2. Tier is assigned before a cut is ordered, and it decides the engine. A static shot on the expensive engine is pure waste; a hard-motion shot on the cheap one costs more, because the re-order costs more than the correct order would have.
WHAT THE EPISODE ARGUES
쿼카가 사람을 무서워하지 않는 건 순해서가 아니라, 로트네스트 섬이 6천~8천 년 전 본토에서 갈라진 시점이 여우·들개가 호주에 들어오기 이전이라 천적을 만난 경험 자체가 없어 공포를 배울 기회가 없었기 때문이다. 그 무경계 때문에 사람 손을 타게 되는데, 여름이면 이 섬 쿼카의 절반 가까이(47.9%)가 살모넬라균을 보유하고, 사람이 건넨 빵은 잇새에 끼어 턱뼈 감염(럼피잭)을 일으켜 죽음에 이르게 한다. 안고 사진을 찍은 관광객에게는 실제로 200달러 벌금이 부과됐다.
THREE THINGS YOU CAN READ STRAIGHT OFF THE PROMPTS
• Identity is locked with a positive count, never a negation — a forbidden thing tends to get summoned.
• Framing is stated as what fills the frame, not as a shot-size name. Shot-size vocabulary is interpreted loosely by every engine we have measured.
• Subject, action and environment are separate lines in the motion prompt. Collapsing them into one sentence is where drift starts.
HONEST NOTICE
• The narration and on-screen text are Korean. Every prompt and all documentation is in English — the prompts are the transferable part.
• Clips are re-encoded for download, not delivered at master bitrate. They are reference and working copies.
• You may use these files in your own commercial and personal work, including client work, and modify them freely. You may not resell or redistribute the package itself, in whole or in part, as a product — including uploading the clips to a stock library.
• This is a record of what one episode took, not a guarantee of a result. Generation models change behaviour between versions, sometimes reversing it, so treat the routing as a procedure you can re-measure rather than a fixed ranking.